Uno de los grandes placeres de la lectura, además de la relectura, por supuesto, es armar las referencias que manejaba el autor y que deslizó en su obra, una suerte de puzzle de intertextos.
Frank Herbert era bueno para eso.
Vean esto (muchas gracias, Magna).
Ahora leamos esto:
I hold at your neck the gom jabbar," she said. "The gom jabbar, the high-handed enemy. It's a needle with a drop of poison on its tip."A duke's son must know about poisons," she said. "It's the way of our times, eh? Musky, to be poisoned in your drink. Aumas, to be poisoned in your food. The quick ones and the slow ones and the ones in between. Here's a new one for you: the gom jabbar. It kills only animals."
A dry finger touched his neck and he stilled the involuntary urge to leap away.
"Good," she said. "You pass the first test. Now, here's the way of the rest of it: If you withdraw your hand from the box you die. This is the only rule. Keep your hand in the box and live. Withdraw it and die."
"You will feel pain in this hand within the box. Pain. But! Withdraw the hand and I'll touch your neck with my gom jabbar—the death so swift it's like the fall of the headsman's axe. Withdraw your hand and the gom jabbar takes you. Understand?"
What's in the box?
Pain.
He felt increased tingling in his hand, pressed his lips tightly together. How could this be a test? he wondered. The tingling became an itch.
The old woman said: "You've heard of animals chewing off a leg to escape a trap? There's an animal kind of trick. A human would remain in the trap, endure the pain, feigning death that he might kill the trapper and remove a threat to his kind."
The itch became the faintest burning. "Why are you doing this?" he demanded.
"To determine if you're human. Be silent."
Paul clenched his left hand into a fist as the burning sensation increased in the other hand. It mounted slowly: heat upon heat upon heat ... upon heat. He felt the fingernails of his free hand biting the palm. He tried to flex the fingers of the burning hand, but couldn't move them.
"It burns," he whispered.
"Silence!"
Pain throbbed up his arm. Sweat stood out on his forehead. Every fiber cried out to withdraw the hand from that burning pit ... but ... the gom jabbar. Without turning his head, he tried to move his eyes to see that terrible needle poised beside his neck. He sensed that he was breathing in gasps, tried to slow his breaths and couldn't.
Pain!
His world emptied of everything except that hand immersed in agony, the ancient face inches away staring at him.
His lips were so dry he had difficulty separating them.
The burning! The burning!
He thought he could feel skin curling black on that agonized hand, the flesh crisping and dropping away until only charred bones remained.
It stopped!
As though a switch had been turned off, the pain stopped.
Paul felt his right arm trembling, felt sweat bathing his body.
She leaned back, withdrawing the gom jabbar from the side of his neck. "Take your hand from the box, young human, and look at it."
He jerked his hand from the box, stared at it astonished. Not a mark. No sign of agony on the flesh. He held up the hand, turned it, flexed the fingers.
"Pain by nerve induction," she said. "Can't go around maiming potential humans. There're those who'd give a pretty for the secret of this box, though." She slipped it into the folds of her gown.
"But the pain—" he said.
"Pain," she sniffed. "A human can override any nerve in the body."
"We Bene Gesserit sift people to find the humans."
He lifted his right hand, willing the memory of the pain. "And that's all there is to it—pain?"
"I observed you in pain, lad. Pain's merely the axis of the test. Your mother's told you about our ways of observing. I see the signs of her teaching in you. Our test is crisis and observation."
Interesante, ¿eh?
Hay tanto que conectar...
por fortuna no usan avispas...
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